The "Free Play" series developed through the 30 Paintings in 30 Days Challenge in September, 2017. These started as demos for the "Abstract Painting Adventure" workshop that I taught during that month. I often listen to jazz while painting. The playful arrangements in this group of paintings were inspired by the improvisational quality of the music. The paintings are all done on heavy acrylic paper. I love painting on this smooth surface. They are 10x8" with 11x14" mats and foam core. $225. each. White frame option available $275. Email your interest to csauerarts@yahoo.com. Free shipping in US. payment with PayPal or CC.
Highlights from the 30 Paintings in 30 Days Challenge
During the challenge I painted more than thirty paintings ranging from 4x5" to 24x18" on paper and cradled panel. To get through this it really helped to set some goals and create a strategy. Working in batches, I explored color palettes that were new to me, and new painting processes. This was a great opportunity to expand my painting vocabulary. The process I used generated many painting starts, finished pieces and new ideas. The images below are from the first two weeks. More will be showcased in the next two blog posts.
Working alongside others, even though it was virtual on Instagram and some postings in a Facebook group, provided a level of accountability that kept me on track. It wasn't easy to keep up the pace. Several other things in the works were put on hold. And lots of other stuff fell through the cracks like dishes, laundry, etc., you know, all that fun stuff!
The "Urban Flora" group of paintings were inspired by flora from my small but abundant New Orleans garden. The "Marvels and Mysteries" batch are imaginative little worlds that reflect a fascination with microbiology. All paintings in this post are 8x6" floating in 14x11" mats that easily fit in frames of that size. $70 each. If you are interested in dressing up your walls with one or a grouping of these, please email me at csauerarts@yahoo.com. Framed option in bright white or natural wood also available, 14x11", $175. Free shipping in the US
Click images below to enlarge.
30 Paintings in 30 Days Challenge
Call me crazy, but I decided to participate in the 30 Paintings in 30 Days painting challenge on Instagram, #pcj30in30, along with hundreds of artists from around the world. I've seen other artists do Challenges on Instagram but mostly those were self-directed. This one started on September 1st. Not knowing what to expect, or if I would be able to keep up, I decided to jump in anyway on very short notice. Follow my painting journey as I explore color. To see more work from the challenge check my Instagram page @christinesauerstudio.
Why do a challenge? A short, focused timeline can help you push your work along. No time for excuses, procastination or distractions! I decided to set a goal of exploring colors and palettes that are not as familiar to me. Working alongside other artists also is a good motivator to keep the energy going. At least, this is what I'm hoping for. The journey will be interesting no matter the outcome.
For the first several days of the challenge I created the abstract "Urban Flora" series, 8x6" acrylic on paper, inspired by the ferns and flowering bush in my backyard. I'm pushing my color comfort zone with a palette of Red Oxide, Quinacridone Nickel Azo Gold, and Manganese Blue. Plus Vat Orange and Bright Yellow were added to this palette for a bit of kick.
To see more images from my 30 Paintings in 30 Days Challenge join me on Instagram @christinesauerstudio. I'll be posting the series for sale there as well.
"Night Flora"
Several months ago I started a new group of abstract floral paintings. After posting a couple of my first Flora explorations on Instagram (@christinesauerstudio) several months ago, Mary Beth Shaw from StencilGirl contacted me for a post. I’m so appreciative of being featured there! I really enjoy working with the very creative designs from Stencil Girl stencils. Here’s a bit of the process.
The lush and abundant flora of New Orleans inspires me. I love photographing my garden and the floral streetscapes in my neighborhood, even at night when colors and forms take on a mysterious and luminous quality. Photos are used for inspiration though I work primarily from imagination and through exploration of paint and other materials. Part of the process when starting new work is to explore a variety of approaches on a small scale. Creating rich, varied and textured surfaces is a big part of what I love to do. GOLDEN’s Glass Bead Gel is one of my favorite mediums and I keep finding new ways to incorporate it into my work.
For this exploration, a repurposed, experimental canvas board that already had paint and texture on it was used. A rigid surface such as a panel or cradled panel would also work well. The process started by pouring a variety GOLDEN High Flow acrylics in a freeform manner onto the surface. I spritzed the paint lightly with H2O to help the colors merge and flow into each other.
1) Let this dry over night before doing the next stage. Because the colors merge in unpredictable ways, it‘s always fun to see how the pour has developed overnight!
2) The next layer is GOLDEN Glass Bead Gel applied with a palette knife through stencils. Maria McGuire’s “Ripple” stencil, shown here, and “Floral 2” by Traci Bautista were used in small sections and turned different directions to create an organic, abstract design with a sense of movement. I love the gritty texture of the Bead Gel as a contrast to the smoother poured paint. Let dry approximately 4 hours or until it has dried clear before adding paint on top of the Bead Gel. TIP: Carefully lift stencil. Use a small color shaper to clean up between spaces if needed to keep shapes clean edged.
3) All colors were mixed with Iridescent Pearl to create sheer, luminous color and to provide high contrast to colors below. A small Filbert brush was perfect for the job. Sometimes it’s hard to see the dried Bead Gel Shapes. I used the photo of the wet Bead Gel as a reference. TIP: Iridescent paint dries quickly. Spritz your palette with a little H2O periodically while painting.
The above piece is still a work in progress and will still get some tweaks. Below is another iteration of this process. They have even more texture than the above piece. For these I created a painted tissue layer first. Then a dark glaze layer was added that allowed for the tissue colors to show through a bit prior to adding the Glass Bead Gel flora.